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A Critical Analysis of A Midsummer Nights Dream
is made even more explicit in this scene. In the dialogue between Helena and Demetrius, the woods are a place to be feared, and also are a place to lose virginity. As Demetrius warns, "You do impeach your modesty too much, / To leave the city and commit yourself / Into the hands of one that loves you not; / To trust the opportunity of night / And the ill counsel of a desert place, / With the rich worth of your virginity" (2.1.214-219). Thus the forest can be allegorically read as a sort of trial for the characters, a phase they must pass through in order to reach maturity.
Hermia's serpent serves as a sign of the monsters which are in the woods. This plays into the fact that the woods are not only a place which the characters must escape from, but are also a place of imagination. Hermia's fear of her dream, in which the monster and the danger are only imagined, is meant to show the audience that the danger in a play is only imagined by the audience; neither the play nor Hermia's dream are real
What is interesting in this scene is the interchangeability of the characters. Lysander and Demetrius, Helena and Hermia, each of them switches roles and becomes the other person. One of the primary ways that Shakespeare indicates maturity is to make his characters distinct. Thus, at this stage of the play the lovers are clearly not yet mature enough in their love to escape from the forest. Puck makes this clear by the way he leads them around in circles until they all collapse in exhaustion. It is this interchangeability that must be resolved before the lovers can fully exit from the forest.
The nature of this interchangeability is further evidenced by the characters themselves. Helena says to Hermia:
"We, Hermia, like two artificial gods Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key, As if our hands, our sides, voices, and minds Had been incorporate. So we grew together, Like to a double cherry" (3.2.204-210).
"Like to a double cherry." This line sums up the reason why they are lost in the forest: it is necessary for them to become distinct from one another. After all, Lysander and Demetrius have been able to shift their love to Helena without noticing any difference whatsoever. Therefore, the forest is not only a place of maturation, but also of finding one's identity.
Perhaps the most famous line from A Midsummer Night's Dream is when Puck remarks, "Lord what fools these mortals be!" (3.2.115). His exclamation, directed at the ridiculous antics of Lysander, is also a direct jibe towards the audience. The nature of human love is challenged in this line, which implies that people will make fools of themselves because of love.
Shakespeare's challenge of what is real versus what is only dreamed emerges in full force in this scene. Oberon decides that he [next page]