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The Chosen, by Chaim Potok

The Conflict Between the Secular and the Religious: The main conflict between the book is between the secular and the religious; this is a conflict that manifests itself in numerous instances both internal and external. The most obvious juxtaposition of the лsecular' and the лreligious' is shown in the friendship between Reuven Malter, who has more flexible religious customs, and Danny Saunders, who comes from a very strict Hasidic background. This conflict also takes place internally within Danny Saunders, who must choose between a life devoted to intellectual study of psychology, which holds an irreligious view of human nature, and a life devoted strictly to the Hasidic religious tradition as a tzaddik. Chaim Potok develops these as contrasting ideas, with the religious as symbolic of history, tradition and the лold world,' while the secular symbolizes the more modern and progressive aspects of society aligned with a broader, international scope. This theme, obviously relating to the Jewish background of its characters, can be taken as a question of Judaism's place in a modern world, as its adherents are torn between the demands of the secular world and their religious faith. The inclusion of details about the founding of the state of Israel relates to this conflict, for the supporters of this state wish for a secular Jewish nation-state, while the opponents, such as Reb Saunders, want only to have a Jewish state that adheres strictly to religious convictions.

Non-Verbal Communication: The characters in Potok's story communicate to a great extent through means other than direct verbal communication. The most obvious example of this is the strange means by which Danny and his father behave toward one another, speaking only to one another when Reb Saunders asks him questions about the Talmud on Shabbat. Yet other examples of this also arise throughout The Chosen. When Reb Saunders enforces his ban on Reuven after David Malter gives his speech on Zionism, Danny Saunders and Reuven continue to communicate through eye contact and subtle gestures. Even the relationship between Reuven and his father displays marks of non-verbal communication; the two characters leave a great deal unstated when they speak to one another, as when they purposely avoid discussing the possibility that David Malter may soon die. The recurring theme of non-verbal communication demonstrates that two characters can reach an understanding without directly stating facts.

Father-Son Relationships: Potok develops the theme of father-son relationships through the parallels between David and Reuven Malter and Reb and Danny Saunders. The paternal relationship dominates the novel; Reuven's mother has died before the novel began, and Danny's mother receives little more than a brief mention throughout the entirety of the novel. Potok allows a great deal of flexibility in the father-son relationship, suggesting the multitude of ways that a father may raise a son such as Reb Saunders' strict training as compared to David Malter's open and direct relationship with Reuven. Potok also endows the paternal relationship with a strong sense of lineage; as the son of a tzaddik, Danny Saunders is [next page]